Producers play a critical role in the music industry. A skilled producer can be the deciding factor between a track becoming a viral hit or fading into obscurity. Behind every successful record is a producer agreement that sets the foundation for the collaboration. Here are five practical tips for producers, and their managers, when negotiating […]
A simple conversation with a lawyer who has experience in the music business can assist in flagging potential issues and provide useful information and guidance as you navigate through this complex and dynamic terrain, whether as an artist or industry professional (or both).
Whether you co-write with your co-writer(s) in your living room, spontaneously in the studio, during a song camp, or via Zoom, you need to consider all the ‘legal stuff’. Halifax entertainment lawyer Matthew Gorman breaks down some key legal points when it comes to co-writing songs.
For over a decade, universities have had free-rein to use copyright-protected work for the purposes of education, research, private study, criticism, review, news reporting, satire and/or parody, so long as their use of the work was considered “fair dealing”.
Canadian copyright law is primarily governed by the federal Copyright Act, R.S.C. 1985, c. C-42 (the “Act”). The Act, among other things, sets-out the rights covered by copyright, including the length of such rights and how such rights may be licensed, transferred or waived.